Maeve BrennanThe Drift (in conversation with Habda Rashid)
Maeve Brennan, still from ‘The Drift’ (2017), courtesy of the artist


Maeve BrennanThe Drift (in conversation with Habda Rashid)
Maeve Brennan, still from ‘The Drift’ (2017), courtesy of the artist


Eloise HawserPressTracker I
Eloise Hawser, ‘Untitled’ (2022), photo: Gigi Gianella, courtesy of the artist


Eloise HawserPressTracker I
Eloise Hawser, ‘Untitled’ (2022), photo: Gigi Gianella, courtesy of the artist


Martha Atienzathe people, the sea and the land (in conversation with Jenn Ellis)
Martha Atienza, still from ‘Our Islands 11 16’58.4 N 123 45’07.0 E’ (2017), courtesy of the artist and Silverlens Gallery


Martha Atienzathe people, the sea and the land (in conversation with Jenn Ellis)
Martha Atienza, still from ‘Our Islands 11 16’58.4 N 123 45’07.0 E’ (2017), courtesy of the artist and Silverlens Gallery


Kristy ChanTo(e)tally (K)not (in conversation with Peter Davies)
Kristy Chan, ‘Boring Green Painting’ (2021), photo: Gigi Gianella, courtesy of the artist


Kristy ChanTo(e)tally (K)not (in conversation with Peter Davies)
Kristy Chan, ‘Boring Green Painting’ (2021), photo: Gigi Gianella, courtesy of the artist


Helen CammockThey Call it Idlewild (in conversation with John Bloomfield)
Helen Cammock, installation view Wysing Arts Centre (2020), photo: Chloe Page, courtesy of the artist and Wysing Arts Centre


Helen CammockThey Call it Idlewild (in conversation with John Bloomfield)
Helen Cammock, still from ‘They Call it Idlewild’ (2020), courtesy of the artist and Kate MacGarry


Amanda KyritsopoulouMaybe Someday Martha (in conversation with Camille Houzé)
Amanda Kyritsopoulou, ‘Maybe Someday Martha’ (2023), photo: Damian Griffiths, courtesy of the artist


Amanda KyritsopoulouMaybe Someday Martha (in conversation with Camille Houzé)
Amanda Kyritsopoulou, ‘Maybe Someday Martha’ (2023), photo: Damian Griffiths, courtesy of the artist


Alice TheobaldIL Y AURA (in conversation with Jessica Lack)
Alice Theobald, still from ‘IL Y AURA’ – There will be (2022), courtesy of the artist


Alice TheobaldIL Y AURA (in conversation with Jessica Lack)
Alice Theobald, still from ‘IL Y AURA’ – There will be (2022), courtesy of the artist



Adia Wahid
Glitches (in conversation with Elizabeth Fullerton)
Adia Wahid, ‘Echo Chamber’ (2022), photo: Knotenpunkt, courtesy of the artist



Adia Wahid
Glitches (in conversation with Elizabeth Fullerton)
Adia Wahid, ‘Echo Chamber’ (2022), photo: Knotenpunkt, courtesy of the artist



Murphy Yum
(in conversation with Cédric Fauq)
Murphy Yum, ‘How to stimulate innocence’ (2022), photo: Choi Chul Lim, courtesy of the artist



Murphy Yum
(in conversation with Cédric Fauq)
Murphy Yum, ‘How to stimulate innocence’ (2022), photo: Choi Chul Lim, courtesy of the artist



Alexandre Canonico
Score (in conversation with Brian Griffiths)
Alexandre Canonico, ‘Sugar Silence’ (2021), photo: Damian Griffiths, courtesy of the artist



Alexandre Canonico
Score (in conversation with Brian Griffiths)
‘Far Fishing’ (2020), photo: Richard Ivey, courtesy of the artist



Marcus Coates
The Directors: Lucy, 2022 (in conversation with Adam Hines-Green)
An Artangel project – photo of Marcus: Pietro Romanelli, courtesy of the artist



Marcus Coates
The Directors: Lucy, 2022 (in conversation with Adam Hines-Green)
An Artangel project – photo of Marcus: Pietro Romanelli, courtesy of the artist


Eloise HawserPressTracker II
Eloise’s studio at Somerset House (2021), photo: Knotenpunkt, courtesy of the artist


Eloise HawserPressTracker II
Eloise’s studio at Somerset House (2021), photo: Knotenpunkt, courtesy of the artist


Kara ChinFlames painted on the Backdrop (in conversation with Coline Milliard)
Kara Chin, ‘Inaugurare’ (2023), 1080p Animation, 00:10:38, courtesy of the artist and VITRINE


Kara ChinFlames painted on the Backdrop (in conversation with Coline Milliard)
Kara Chin, ‘Inaugurare’ (2023), 1080p Animation, 00:10:38, courtesy of the artist and VITRINE


Jonathan BaldockWysing (in conversation with Rosie Cooper)
Jonathan Baldock at CAC Residency (2018), photo: Damian Griffiths, courtesy of the artist and Stephen Friedman Gallery


Jonathan BaldockWysing (in conversation with Rosie Cooper)
Jonathan Baldock at CAC Residency (2018), photo: Damian Griffiths, courtesy of the artist and Stephen Friedman Gallery


Simon MorettiImpertinent Juxtapositions: Curating as Practice (in conversation with Deborah Levy)
Simon Moretti, ‘entr’acte’ (2022), photo: David Noonan, courtesy of the artist


Simon MorettiImpertinent Juxtapositions: Curating as Practice (in conversation with Deborah Levy)
Simon Moretti, ‘entr’acte’ (2022), photo: David Noonan, courtesy of the artist


Tahmineh MonzaviGrape Garden Alley (in conversation with Vali Mahlouji)
Tahmineh Monzavi, Grape Garden Alley – Tina (2007-2012), photo: Tahmineh Monzavi, courtesy of the artist


Tahmineh MonzaviGrape Garden Alley (in conversation with Vali Mahlouji)
Tahmineh Monzavi, Grape Garden Alley – Tina (2007-2012), photo: Tahmineh Monzavi, courtesy of the artist