Knotenpunkt

Diana Puntar – Historical Re-Anachronism, Ultima Romanus (in conversation with En Liang Khong)
Diana Puntar, installation view of ‘Historical Anachronism, Ultima Romanus’ at Gerald Moore Gallery 2023, photo: Reinis Lismanis, courtesy of the artist and Gerald Moore Gallery

Diana Puntar – Historical Re-Anachronism, Ultima Romanus (in conversation with En Liang Khong)
Diana Puntar, ‘We the People’ (2023), photo: Reinis Lismanis, courtesy of the artist and Gerald Moore Gallery

Fani Parali – AONYX and DREPAN (in conversation with Hettie Judah)
Fani Parali, ‘AONYX and DREPAN, 2020’, performance at Frieze Sculpture 2024, photo courtesy of the artist and Cooke Latham Gallery

Fani Parali – AONYX and DREPAN (in conversation with Hettie Judah)
Fani Parali, ‘AONYX and DREPAN, 2020’, performance at Frieze Sculpture 2024, photo: Knotenpunkt, courtesy of the artist and Cooke Latham Gallery

Agata Madejska – Grand Habitat Horror Vacui (in conversation with Eva Wilson)
Agata Madejska, ‘Housing T (Current Affairs) (2024)’, photo: Peter Otto, courtesy of the artist and Belmacz

Agata Madejska – Grand Habitat Horror Vacui (in conversation with Eva Wilson)
Agata Madejska, ‘The End of It’ (2022), photo: Peter Otto, courtesy of the artist and Belmacz

Maeve Brennan – The Drift (in conversation with Habda Rashid)
Maeve Brennan, still from ‘The Drift’ (2017), courtesy of the artist

Eloise Hawser – PressTracker I
Eloise Hawser, ‘Untitled’ (2022), photo: Gigi Gianella, courtesy of the artist

Martha Atienza – the people, the sea and the land (in conversation with Jenn Ellis)
Martha Atienza, still from ‘Our Islands 11 16’58.4 N 123 45’07.0 E’ (2017), courtesy of the artist and Silverlens Gallery

Kristy Chan – To(e)tally (K)not (in conversation with Peter Davies)
Kristy Chan, ‘Boring Green Painting’ (2021), photo: Gigi Gianella, courtesy of the artist

Helen Cammock – They Call it Idlewild (in conversation with John Bloomfield)
Helen Cammock, installation view Wysing Arts Centre (2020), photo: Chloe Page, courtesy of the artist and Wysing Arts Centre

Helen Cammock – They Call it Idlewild (in conversation with John Bloomfield)
Helen Cammock, still from ‘They Call it Idlewild’ (2020), courtesy of the artist and Kate MacGarry

Amanda Kyritsopoulou – Maybe Someday Martha (in conversation with Camille Houzé)
Amanda Kyritsopoulou, ‘Maybe Someday Martha’ (2023), photo: Damian Griffiths, courtesy of the artist

Alice Theobald – IL Y AURA (in conversation with Jessica Lack)
Alice Theobald, still from ‘IL Y AURA’ – There will be (2022), courtesy of the artist

Adia Wahid – Glitches (in conversation with Elizabeth Fullerton)
Adia Wahid, ‘Echo Chamber’ (2022), photo: Knotenpunkt, courtesy of the artist

Murphy Yum (in conversation with Cédric Fauq)
Murphy Yum, ‘How to stimulate innocence’ (2022), photo: Choi Chul Lim, courtesy of the artist

Alexandre Canonico – Score (in conversation with Brian Griffiths)
Alexandre Canonico, ‘Sugar Silence’ (2021), photo: Damian Griffiths, courtesy of the artist

Alexandre Canonico – Score (in conversation with Brian Griffiths)
‘Far Fishing’ (2020), photo: Richard Ivey, courtesy of the artist

Marcus Coates – The Directors: Lucy, 2022 (in conversation with Adam Hines-Green)
An Artangel project – photo of Marcus: Pietro Romanelli, courtesy of the artist

Eloise Hawser – PressTracker II
Eloise’s studio at Somerset House (2021), photo: Knotenpunkt, courtesy of the artist

Kara Chin – Flames painted on the Backdrop (in conversation with Coline Milliard)
Kara Chin, ‘Inaugurare’ (2023), 1080p Animation, 00:10:38, courtesy of the artist and VITRINE

Charlie Godet Thomas – On Site and Sound (in conversation with Andrea Nitsche- Krupp)
Charlie Godet Thomas at Vernacular Institute, Mexico City, MX, 2021, courtesy of the artist

Charlie Godet Thomas – On Site and Sound (in conversation with Andrea Nitsche- Krupp)
Charlie Godet Thomas, ‘Ash and Narrow Sky’ (2023). Displayed at TACO! October 2023. Photo: Knotenpunkt, courtesy of the artist

Jonathan Baldock – Wysing (in conversation with Rosie Cooper)
Jonathan Baldock at CAC Residency (2018), photo: Damian Griffiths, courtesy of the artist and Stephen Friedman Gallery

Simon Moretti – Impertinent Juxtapositions: Curating as Practice (in conversation with Deborah Levy)
Simon Moretti, ‘entr’acte’ (2022), photo: David Noonan, courtesy of the artist

Tahmineh Monzavi – Grape Garden Alley (in conversation with Vali Mahlouji)
Tahmineh Monzavi, Grape Garden Alley – Tina (2007-2012), photo: Tahmineh Monzavi, courtesy of the artist

Rafał Zajko – Transformations (in conversation with Rosie Cooper)
Rafał Zajko, ‘Alms’ (2022) and ‘Thread’ (2022), photo courtesy of the artist

Rafał Zajko – Transformations (in conversation with Rosie Cooper)
Rafał Zajko, ‘Thread’ (2022), photo courtesy of the artist