Knotenpunkt

Magdalena Skupinska – soft crossing (in conversation with Craig Burnett)
Magdalena Skupinska, ‘Still Sunny Spot’ (2025), chamomile and turmeric on wood, photo: Rob Harris, courtesy of the artist and Maximillian William, London

Magdalena Skupinska – soft crossing (in conversation with Craig Burnett)
Magdalena Skupinska, ‘Nektar’ (2025), chamomile, alkanna tinctoria, ashwagandha, blue spirulina and paprika on wood, photo: Rob Harris, courtesy of the artist and Maximillian William, London

Ro Robertson – Skinny Dip (in conversation with Eleanor Clayton)
Ro Robertson, ‘Skinny Dip I’, 2025, photo by Eva Herzog. Courtesy the artist and Maximillian William, London

Ro Robertson – Skinny Dip (in conversation with Eleanor Clayton)
Ro Robertson, ‘Skinny Dip I’ (detail), 2025, photo by Eva Herzog. Courtesy the artist and Maximillian William, London

Maeve Brennan – Siticulosa (in conversation with Nicoletta Lambertucci)
Maeve Brennan, ‘Siticulosa’ (2025), film still. Commissioned by Tai Kwun Contemporary, Hong Kong and Aarhus Museum of Ancient Art and Archaeology. Courtesy of the artist

Emii Alrai – What Is It to Yearn? (in conversation with JC Niala)
Emii Alrai, installation view of ‘A Lake as Great as Its Bones’ at Maximillian William, London, 2024, photo: Rob Harris, courtesy of the artist and Maximillian William

Emii Alrai – What Is It to Yearn? (in conversation with JC Niala)
Emii Alrai, from a series of exploratory drawings (2022), photo: Rob Harris, courtesy of the artist and Maximillian William, London

Eloise Hawser – Civil Twilight (in conversation with Gareth Bell-Jones)
Installation view of Eloise’s solo show ‘Civil Twilight’, Flat Time House, 2025, photo: Peter Otto, courtesy of the artist

Eloise Hawser – Civil Twilight (in conversation with Gareth Bell-Jones)
Eloise Hawser, ‘Mechanical Coping’, 2025, photo: Peter Otto, courtesy of the artist

Ty Locke – On Mexico, in Retrospect (in conversation with Yates Norton)
Ty Locke, ‘Rituals (Rose), 2025, courtesy of the artist and Copperfield, London

Ty Locke – On Mexico, in Retrospect (in conversation with Yates Norton)
Ty Locke, ‘Rituals (Rose)’, component, 2025, courtesy of the artist and Copperfield, London

Amanda Kyritsopoulou – Two Hands Holding One Arm (in conversation with Mara Polgovsky)
Installation view of Amanda’s solo show ‘Two Hands Holding One Arm’, Somers Gallery, 2025, photo: Damian Griffiths, courtesy of the artist

Amanda Kyritsopoulou – Two Hands Holding One Arm (in conversation with Mara Polgovsky)
Amanda Kyritsopoulou, ‘80% admin’, 2025, photo; Damian Griffiths, courtesy of the artist

Diana Puntar – Historical Re-Anachronism, Ultima Romanus (in conversation with En Liang Khong)
Diana Puntar, installation view of ‘Historical Anachronism, Ultima Romanus’ at Gerald Moore Gallery 2023, photo: Reinis Lismanis, courtesy of the artist and Gerald Moore Gallery

Diana Puntar – Historical Re-Anachronism, Ultima Romanus (in conversation with En Liang Khong)
Diana Puntar, ‘We the People’ (2023), photo: Reinis Lismanis, courtesy of the artist and Gerald Moore Gallery

Fani Parali – AONYX and DREPAN (in conversation with Hettie Judah)
Fani Parali, ‘AONYX and DREPAN, 2020’, performance at Frieze Sculpture 2024, photo courtesy of the artist and Cooke Latham Gallery

Fani Parali – AONYX and DREPAN (in conversation with Hettie Judah)
Fani Parali, ‘AONYX and DREPAN, 2020’, performance at Frieze Sculpture 2024, photo: Knotenpunkt, courtesy of the artist and Cooke Latham Gallery

Agata Madejska – Grand Habitat Horror Vacui (in conversation with Eva Wilson)
Agata Madejska, ‘Housing T (Current Affairs) (2024)’, photo: Peter Otto, courtesy of the artist and Belmacz

Agata Madejska – Grand Habitat Horror Vacui (in conversation with Eva Wilson)
Agata Madejska, ‘The End of It’ (2022), photo: Peter Otto, courtesy of the artist and Belmacz

Maeve Brennan – The Drift (in conversation with Habda Rashid)
Maeve Brennan, still from ‘The Drift’ (2017), courtesy of the artist

Eloise Hawser – PressTracker I
Eloise Hawser, ‘Untitled’ (2022), photo: Gigi Gianella, courtesy of the artist

Martha Atienza – the people, the sea and the land (in conversation with Jenn Ellis)
Martha Atienza, still from ‘Our Islands 11 16’58.4 N 123 45’07.0 E’ (2017), courtesy of the artist and Silverlens Gallery

Kristy Chan – To(e)tally (K)not (in conversation with Peter Davies)
Kristy Chan, ‘Boring Green Painting’ (2021), photo: Gigi Gianella, courtesy of the artist

Helen Cammock – They Call it Idlewild (in conversation with John Bloomfield)
Helen Cammock, installation view Wysing Arts Centre (2020), photo: Chloe Page, courtesy of the artist and Wysing Arts Centre

Helen Cammock – They Call it Idlewild (in conversation with John Bloomfield)
Helen Cammock, still from ‘They Call it Idlewild’ (2020), courtesy of the artist and Kate MacGarry

Amanda Kyritsopoulou – Maybe Someday Martha (in conversation with Camille Houzé)
Amanda Kyritsopoulou, ‘Maybe Someday Martha’ (2023), photo: Damian Griffiths, courtesy of the artist

Alice Theobald – IL Y AURA (in conversation with Jessica Lack)
Alice Theobald, still from ‘IL Y AURA’ – There will be (2022), courtesy of the artist

Adia Wahid – Glitches (in conversation with Elizabeth Fullerton)
Adia Wahid, ‘Echo Chamber’ (2022), photo: Knotenpunkt, courtesy of the artist

Murphy Yum (in conversation with Cédric Fauq)
Murphy Yum, ‘How to stimulate innocence’ (2022), photo: Choi Chul Lim, courtesy of the artist

Alexandre Canonico – Score (in conversation with Brian Griffiths)
Alexandre Canonico, ‘Sugar Silence’ (2021), photo: Damian Griffiths, courtesy of the artist

Alexandre Canonico – Score (in conversation with Brian Griffiths)
‘Far Fishing’ (2020), photo: Richard Ivey, courtesy of the artist

Marcus Coates – The Directors: Lucy, 2022 (in conversation with Adam Hines-Green)
An Artangel project – photo of Marcus: Pietro Romanelli, courtesy of the artist

Eloise Hawser – PressTracker II
Eloise’s studio at Somerset House (2021), photo: Knotenpunkt, courtesy of the artist

Kara Chin – Flames painted on the Backdrop (in conversation with Coline Milliard)
Kara Chin, ‘Inaugurare’ (2023), 1080p Animation, 00:10:38, courtesy of the artist and VITRINE

Charlie Godet Thomas – On Site and Sound (in conversation with Andrea Nitsche- Krupp)
Charlie Godet Thomas at Vernacular Institute, Mexico City, MX, 2021, courtesy of the artist

Charlie Godet Thomas – On Site and Sound (in conversation with Andrea Nitsche- Krupp)
Charlie Godet Thomas, ‘Ash and Narrow Sky’ (2023). Displayed at TACO! October 2023. Photo: Knotenpunkt, courtesy of the artist

Jonathan Baldock – Wysing (in conversation with Rosie Cooper)
Jonathan Baldock at CAC Residency (2018), photo: Damian Griffiths, courtesy of the artist and Stephen Friedman Gallery

Simon Moretti – Impertinent Juxtapositions: Curating as Practice (in conversation with Deborah Levy)
Simon Moretti, ‘entr’acte’ (2022), photo: David Noonan, courtesy of the artist

Tahmineh Monzavi – Grape Garden Alley (in conversation with Vali Mahlouji)
Tahmineh Monzavi, Grape Garden Alley – Tina (2007-2012), photo: Tahmineh Monzavi, courtesy of the artist

Rafał Zajko – Transformations (in conversation with Rosie Cooper)
Rafał Zajko, ‘Alms’ (2022) and ‘Thread’ (2022), photo courtesy of the artist

Rafał Zajko – Transformations (in conversation with Rosie Cooper)
Rafał Zajko, ‘Thread’ (2022), photo courtesy of the artist